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The Goldfinch: A Novel (Pulitzer Prize for Fiction), by Donna Tartt
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Review
"A soaring masterpiece."―Ron Charles, Washington Post "Dazzling....A glorious, Dickensian novel, a novel that pulls together all Ms. Tartt's remarkable storytelling talents into a rapturous, symphonic whole and reminds the reader of the immersive, stay-up-all-night pleasures of reading."―Michiko Kakutani, New York Times"The Goldfinch is a rarity that comes along perhaps half a dozen times per decade, a smartly written literary novel that connects with the heart as well as the mind....Donna Tartt has delivered an extraordinary work of fiction."―Stephen King, New York Times Book Review "The Goldfinch is a book about art in all its forms, and right from the start we remember why we enjoy Donna Tartt so much: the humming plot and elegant prose; the living, breathing characters; the perfectly captured settings....Joy and sorrow exist in the same breath, and by the end The Goldfinch hangs in our stolen heart."―Vanity Fair"Drenched in sensory detail, infused with Theo's churning thoughts and feelings, sparked by nimble dialogue, and propelled by escalating cosmic angst and thriller action, Tartt's trenchant, defiant, engrossing, and rocketing novel conducts a grand inquiry into the mystery and sorrow of survival, beauty and obsession, and the promise of art."―Booklist (starred review)"There's a bewitching urgency to the narration that's impossible to resist. Theo is magnetic...The Goldfinch is a pleasure to read."―Publishers Weekly"A long-awaited, elegant meditation on love, memory, and the haunting power of art....Eloquent and assured, with memorable characters....A standout--and well-worth the wait."―Kirkus Reviews (starred review)"It's a classic...If you haven't read it, read it. If you have, read it again."―Andy Cohen, Today Show"Where to begin? Simply put, I'm indescribably jealous of any reader picking up this masterpiece for the first time. And once they do, they will long remember the heartrending character of Theo Decker and his unthinkable journey."―Sarah Jessica Parker for Goop
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About the Author
Donna Tartt is the author of The Goldfinch, which was awarded the 2014 Pulitzer Prize for Fiction, as well as the Andrew Carnegie Medal for Excellence in Fiction. Her novels The Secret History and The Little Friend have been translated into 30 languages. She was born in Greenwood, Mississippi and is a graduate of Bennington College.
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Product details
Paperback: 771 pages
Publisher: Back Bay Books (April 7, 2015)
Language: English
ISBN-10: 0316055441
ISBN-13: 978-0316055444
Product Dimensions:
6 x 1.4 x 9.2 inches
Shipping Weight: 1.7 pounds (View shipping rates and policies)
Average Customer Review:
3.8 out of 5 stars
25,994 customer reviews
Amazon Best Sellers Rank:
#3,500 in Books (See Top 100 in Books)
I don't understand why this book is so highly rated. I belong to a small book club that chose to read it adn 4 out of 6 give up on it. Those that finished were very frustrated. Not only was this book too long, it was unbelievable due insufficient character development. Things just sort of happened around people and they "changed" (not evolved) from chapter to chapter. There are many books I've not liked, but I have this crazy need to stick it out and finish anything I start. This is the first book in decades I gave up on. That should sum it up.
This book held me spellbound from beginning to end. I didn't want to finish it but I couldn't wait to finish it to know the ending! The light for me in this dark story was Boris...his character was broken and a little scary yet he was such a strong character and had a loyalty and love for Theo the best he could given his circumstances. Even though Theo was truly the main character, Boris and Hobie were my favorites and the most dimensional for me. This is the only Donna Tartt book I have read but it was exceptional, the feelings it could evoke through the things that happened, how Theo waited for his Mom to come back to the apartment, the happiness when Boris was on the floor with Popper and he was so happy Popper remembered who he was...I felt like I was there with the characters and that's quite an accomplishment. Loved this book.
Around 20 years ago I came across Donna Tartt's first novel, The Secret History, in a hostel in Tokyo, on a bookshelf where guests leave behind books for others to read. I fell in love with that book, have read it twice more since then (very unusual for someone like me who rarely rereads books), and recommend it first to anyone who asks me for a good book to read. While I really enjoyed Tartt's second novel, The Little Friend, for me it's The Goldfinch that comes close to evoking the level of passion I felt for her first work. Like the objects that Tartt writes about in the novel, this book is one that I will treasure. The book has characters that I feel have become friends, and relates a journey through life that puts my own in perspective. But I also appreciate how the novel reminds us how our individual encounters with art (and literature) can connect us with a sublime beauty underneath and beyond surface features, historical significance, or communal interpretation. It reminds us how a personal connection with things invests meaning in life. I think often about whether I'm making the best use of the time I have remaining. Tartt's book reassured me of the importance of art and literature in my life, and I'm glad I found a new treasure in The Goldfinch. I'm looking forward next to returning to The Secret History one more time.
I did not want to be one of those people who did not finish this book yet still trashed it. I did finish the book and I can tell you that there was not anything I can say I found enjoyable about the book. I have made it a goal to read at least one Pulitzer Prize winning book each year. I believe the reason this book won in 2014 was that Donna Tartt was obviously knowledgable about the drug culture and the art world. There was not a single character that I cared about by the end of the book.
I did not like this book at all. All the drug, booze, swearing was just too much for me to overlook. Perhaps there is an element of society that lives this kind of life, but I really didn't enjoy reading about it. The dishonesty of most characters was so out of my comfort level.
I bought The Little Friend some years back and thought it was an excellent book, lent it to friends that also enjoyed. When I saw that she had won the Booker Prize I immediately thought to buy the book for my Kindle. Sadly I didn't, as I read so many poor reviews. too long, boring, heavy etc etc Then just recently a friend told me that she had bought the book and loved it and passed it on to other friends so I downloaded it straight away.The writing is superb, cannot understand the complaints, this is literature at it's best. It's not meant to be a fast read, take it slowly, yes it's a long book, so what, it's virtually three books for the price of one. It's a hard story, showing us that the affects of terrorism on those that are involved and those that lose loved ones. It also opens our minds to the fact that there is both good and evil in all of us and cowardice and bravery. The characters in the story are the best portrayals that I have read for years. Miss Tartt doesn't churn books out one after the other as so many authors, they are gems, to be read and not forgotten. I sincerely hope that this becomes a modern classic because it certainly deserves it.
This site certainly doesn't need another review to add to the over 7,000 already here. I won't add much to the discourse, but I'm doing this for my own satisfaction and to write down my thoughts about this book that can be both awesome and awful.Donna Tartt is at times a brilliant writer and a masterful wordsmith. But she reminds me of a Grammy-winning jazz trombonist that I saw at a club once. He was an amazing technician and could coax more notes and different sounds out of the trombone than anyone I had ever heard. And while I could certainly appreciate his technical abilities and marvel at the otherwordly sounds he could create with the instrument, in the end the performance was not satisfying. I was looking for some semblance of a melody and artistry at least somewhat pleasant to the ear, but what I got was a cacophanous display of technical ability.Yes, you can have too much of a good thing. And Donna Tartt proves it with The Goldfinch. No matter how skillfully she writes about Theo's drug-fueled escapades in Las Vegas, we are so tired of hearing about them after a while. And regardless of how well she conveys all of the things going through his mind while holed up in a hotel in Amsterdam, we just don't care at some point.I understand the tendency of a good writer to do more of what she does well. What I don't understand is the writer's conceit in not recognizing and overcoming that tendency. While I see this as a serious fault in a writer, I find it unforgivable in an editor. Both of them are guilty of taking a 500 page great book and turning it into an 800 page good book.
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